{"id":29090,"date":"2026-04-14T12:02:00","date_gmt":"2026-04-14T10:02:00","guid":{"rendered":"https:\/\/www.watchinsanity.it\/?p=29090"},"modified":"2026-04-13T20:41:13","modified_gmt":"2026-04-13T18:41:13","slug":"cartier-2026-santos-crash-roadster","status":"publish","type":"post","link":"https:\/\/www.watchinsanity.it\/en\/cartier-2026-santos-crash-roadster\/","title":{"rendered":"Cartier 2026: all the novelties across Santos, Crash and Roadster"},"content":{"rendered":"\n

Placing technique at the service of aesthetics. This is the idea that has always shaped\u00a0Cartier\u2019s vision and still defines its language today: an approach in which form is not the result, but the starting point from which proportions, lines and material are constructed. In Geneva, the French Maison does not follow the logic of complication for its own sake, but reaffirms a vision of watchmaking that finds in form its founding principle. It is an approach that runs throughout the entire history of Cartier<\/strong>, in which the construction of the watch originates from a design gesture, allowing technique to integrate with coherence and discretion. The creations presented this year at\u00a0Watches and Wonders 2026\u00a0fit seamlessly within this continuity, revisiting some of the most emblematic icons of the repertoire and renewing them through a careful study of\u00a0materials<\/strong>,\u00a0surfaces<\/strong>\u00a0and\u00a0internal architectures<\/strong>. From the Santos-Dumont<\/strong>\u00a0to the\u00a0Crash<\/strong>, through to the return of the\u00a0Roadster<\/strong>\u00a0and the more\u00a0Haute Joaillerie<\/strong>\u00a0interpretations of\u00a0Baignoire<\/strong>\u00a0and\u00a0Myst<\/strong>, Cartier constructs a dialogue between different eras and registers.<\/p>\n\n\n\n

CARTIER SANTOS-DUMONT<\/strong><\/h2>\n\n\n\n

The history of the\u00a0Santos-Dumont<\/strong>\u00a0is intrinsically linked to the birth of the modern wristwatch. In 1904,\u00a0Louis Cartier conceived for his friend\u00a0Alberto Santos-Dumont<\/strong>\u00a0a watch that could be read in flight without resorting to a pocket watch, giving rise to what is considered the first men\u2019s wristwatch in history \u2014 translating a practical need into a form destined to become canonical. Since then, the Santos-Dumont has preserved its design intact, passing through the twentieth century and its reinterpretations without losing its connection to its origin: that of a watch created to accompany movement.<\/p>\n\n\n\n

\"CARTIER<\/a><\/figure>\n\n\n\n

In the new version presented at Watches and Wonders 2026, Cartier intervenes with extreme precision on two structural elements of the Santos-Dumont \u2014 dial<\/strong>\u00a0and\u00a0bracelet<\/strong> \u2014 redefining both visual and tactile perception. In the yellow gold version, the most fascinating dial is crafted from\u00a0golden obsidian<\/strong>, a volcanic stone originating from Mexico, whose iridescent reflections derive from micro air bubbles trapped within the glassy mass; bringing it down to a thickness of just\u00a00.3 mm<\/strong>\u00a0requires absolute control of the material\u2019s internal tensions and workmanship close to that required for glass, with extremely tight tolerances. On this surface, Cartier\u2019s graphic codes are applied, with\u00a0Roman numerals<\/strong>,\u00a0chemin de fer minute track<\/strong>\u00a0and\u00a0gilt sword-shaped hands<\/strong>, while the crown set with a\u00a0blue cabochon<\/strong>\u00a0introduces a chromatic accent consistent with the Maison\u2019s tradition.<\/p>\n\n\n\n

In this configuration (Ref. WGSA0123<\/strong>), the\u00a043.5 x 31.4 mm case<\/strong>\u00a0with a thickness of\u00a07.3 mm<\/strong>\u00a0is paired with a matching bracelet and integrates the in-house manual-winding\u00a0calibre 430 MC<\/strong>. Water resistance is guaranteed to\u00a03 bar (30 metres)<\/strong>.<\/p>\n\n\n\n

\n
\n
\"CARTIER<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"CARTIER<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Complementing this complexity is the bracelet, constructed as a true flexible architecture:\u00a0394 links<\/strong>\u00a0each\u00a01.15 mm thick<\/strong>, arranged across\u00a015 rows<\/strong>, each individually crafted, finished and assembled in the Manufacture to achieve controlled deformability and a nearly organic continuity with the case. The ensemble is completed by a\u00a0triple folding gold clasp<\/strong>, discreetly integrated into the overall construction.<\/p>\n\n\n\n

The price of\u00a0Ref. WGSA0123<\/strong>\u00a0is\u00a0\u20ac 52,000<\/strong>. This model is also available in yellow gold with a silvered dial (Ref. WGSA0122<\/strong>) at\u00a0\u20ac 49,300<\/strong>, and in platinum (Ref. WGSA0124<\/strong>) with a silvered dial at\u00a0\u20ac 62,000<\/strong>.<\/p>\n\n\n\n

CARTIER PRIV\u00c9 CRASH<\/strong><\/h2>\n\n\n\n

Among the Maison\u2019s most emblematic creations, the\u00a0Crash<\/strong>\u00a0occupies a truly unique place. Born in London in 1967<\/a>, it introduced an asymmetrical and deliberately unstable form that breaks away from all traditional construction, transforming distortion into a design principle. Over time, this silhouette has become one of Cartier\u2019s most recognisable, preserving its expressive strength intact. Today, to celebrate the tenth chapter of\u00a0Cartier Priv\u00e9<\/strong>, the Maison returns to this icon, reaffirming its radical character through\u00a0skeletonisation<\/strong>. A choice rooted in a much broader history: Cartier\u2019s first\u00a0skeleton watches<\/strong>\u00a0date back to the 1920s and were pocket watches conceived as true exercises in technical elegance, where mechanics became a visible part of the design.<\/p>\n\n\n\n

\"CARTIER<\/a><\/figure>\n\n\n\n

The new\u00a0Crash skeleton<\/strong>\u00a0represents one of the most emblematic cases in which Cartier brings technique to fully align with form. The manual-winding in-house\u00a0calibre 1967 MC<\/strong>, composed of\u00a0142 components<\/strong>, has been specifically developed to adapt to the irregular geometry of the case, transforming a formal constraint into a constructive principle. Skeletonisation here is not applied, but structural: the bridges, hand-shaped according to the design of the\u00a0Roman numerals<\/strong>, simultaneously fulfil both structural and aesthetic functions, following a typically Cartier logic in which the movement becomes an integral part of the dial.<\/p>\n\n\n\n

\n
\n
\"CARTIER<\/a><\/figure>\n<\/div>\n\n\n\n
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\"CARTIER<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

The case, made of\u00a0platinum<\/strong>, measures\u00a045.35 x 25.2 mm<\/strong>\u00a0with a thickness of\u00a012.97 mm<\/strong>, and is completed by a crown set with a\u00a0ruby cabochon<\/strong>; the construction is protected by a\u00a0mineral crystal<\/strong>\u00a0on the front and a\u00a0sapphire crystal<\/strong>\u00a0on the caseback, while water resistance up to\u00a03 bar (30 metres)<\/strong>\u00a0is ensured. The model is paired with a\u00a0semi-matte burgundy alligator strap<\/strong>\u00a0with a\u00a0950 platinum pin buckle<\/strong>. Each piece requires approximately\u00a0two hours of manual work<\/strong>\u00a0for the finishing of the bridges, with meticulous control of surfaces and openings. The absence of a traditional dial reveals an openworked construction in which the balance between solid and void is calibrated to ensure legibility without compromising the visual tension of the whole. The distortion of the case is further emphasised by the layout of the movement, as if the crown exerted a pull on the entire structure, making this configuration one of the most advanced expressions of Cartier\u2019s ability to integrate movement and form into a single architecture.<\/p>\n\n\n\n

Produced in a\u00a0limited and numbered edition of 150 pieces<\/strong>, the new Crash is presented at a price of\u00a0\u20ac 119,000<\/strong>, positioning it within the highest segment of the Maison\u2019s watchmaking.<\/p>\n\n\n\n

CARTIER ROADSTER<\/strong><\/h2>\n\n\n\n

First introduced in the early 2000s, the\u00a0Roadster<\/strong>\u00a0brought into the Cartier repertoire a more dynamic language, expressed through a direct reference to the automotive and aeronautical worlds. The elongated\u00a0tonneau case<\/strong>, defined by taut lines and fluid surfaces, evokes the tension of bodywork and fuselages, yet is brought back to a rigorous balance typical of the Maison.<\/p>\n\n\n

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\"CARTIER<\/a><\/figure>\n<\/div>\n\n\n

In 2026, Cartier reintroduces the Roadster by precisely refining its proportions. The tonneau case is streamlined to achieve greater continuity between surfaces, while the\u00a0crown<\/strong>, fully integrated into the caseband, contributes to a more harmonious balance between bezel and side profile. The slightly curved crystal<\/strong>\u00a0engages directly with the metal structure, visually integrating the\u00a0magnified date window<\/strong>\u00a0and creating optical continuity between functional elements. References\u00a0WSRD0019<\/strong>\u00a0and\u00a0WSRD0020<\/strong>\u00a0are available in\u00a0steel<\/strong>, with dimensions of\u00a042.5 x 34.92 mm<\/strong>\u00a0and\u00a047.2 x 38.7 mm<\/strong> respectively, and thicknesses of\u00a09.7 mm<\/strong>\u00a0and\u00a010.06 mm<\/strong>, both featuring a\u00a0fluted steel crown<\/strong>\u00a0and\u00a0sapphire crystal<\/strong>. The silvered opaline dial<\/strong>\u00a0is paired with\u00a0blue sword-shaped hands<\/strong>\u00a0treated with\u00a0Super-LumiNova<\/strong>, while water resistance up to\u00a010 bar (100 metres)<\/strong>\u00a0is ensured.<\/p>\n\n\n\n

The dial also reprises Cartier\u2019s aesthetic codes, with\u00a0Roman numerals<\/strong>,\u00a0chemin de fer minute track<\/strong>\u00a0and blued steel hands<\/strong>, but reorganises them within a surface that follows the curvature of the case, improving readability along the longitudinal axes. The\u00a0magnified date window<\/strong>\u00a0integrates without disrupting the overall graphic rhythm, while the\u00a0metallic cabochon<\/strong>\u00a0on the crown recalls the Maison\u2019s tradition in a more technical key. Case dimensions, available in multiple variations, are designed to optimise\u00a0wearability<\/strong>\u00a0and\u00a0weight distribution<\/strong>\u00a0on the wrist.<\/p>\n\n\n

\n
\"CARTIER<\/a><\/figure>\n<\/div>\n\n\n

Both versions are powered by automatic in-house movements, with\u00a0calibre 1899 MC<\/strong>\u00a0for Ref. WSRD0019 and\u00a0calibre 1847 MC<\/strong>\u00a0for Ref. WSRD0020, offering power reserves of\u00a039 and 40 hours<\/strong>\u00a0respectively, and a frequency of\u00a028,800 vibrations\/hour (4 Hz)<\/strong>. The\u00a0QuickSwitch system<\/strong>\u00a0allows interchangeability between the\u00a0steel bracelet<\/strong>\u00a0and a\u00a0semi-matte navy blue alligator strap<\/strong>, completed by an interchangeable\u00a0steel folding clasp<\/strong>.<\/p>\n\n\n\n

The price is\u00a0\u20ac 9,300<\/strong>\u00a0for Ref. WSRD0019 and\u00a0\u20ac 10,200<\/strong>\u00a0for Ref. WSRD0020; the collection also includes additional variants in\u00a0steel<\/strong>,\u00a0two-tone<\/strong>\u00a0and\u00a0gold<\/strong>, offered in different sizes and configurations.<\/p>\n\n\n\n

CARTIER BAIGNOIRE AND THE CLOU DE PARIS MOTIF<\/strong><\/h2>\n\n\n\n

The\u00a0Baignoire<\/strong>\u00a0belongs to that lineage of creations through which Cartier defined, from the early decades of the twentieth century, an idea of watchmaking deeply connected to\u00a0jewellery<\/strong>. Its origins trace back to the Maison\u2019s first\u00a0oval watches<\/strong>, already appearing at the beginning of the century, at a time when Cartier was experimenting with unconventional forms to adapt the watch to the body. The name itself, Baignoire\u2014 meaning \u201cbathtub\u201d\u2014derives from this elongated and enveloping silhouette, evoking a soft and continuous shape. Formalised in its current configuration during the 1950s, the model stands out for its fluid, non-rigid line, designed to follow the wrist naturally. Its form, both simple and sophisticated, belongs to that tradition so dear to Cartier, in which the watch is conceived as an object to be worn before it is read.<\/p>\n\n\n

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\"CARTIER<\/a><\/figure>\n<\/div>\n\n\n

For this new model, Cartier intervenes on surface and construction by introducing the\u00a0Clou de Paris motif<\/strong>, a distinctive element of its vocabulary since the 1920s, which here takes on a structural role. The monochromatic\u00a0gold<\/strong>\u00a0is worked using a specific savoir-faire to ensure continuity of form, creating a regular pattern that runs across\u00a0bracelet<\/strong>\u00a0and\u00a0case<\/strong>, building a true architectural geometry. Proportions have been recalibrated and the\u00a0yellow gold pushers<\/strong>\u00a0are shaped to integrate perfectly with the sinuous bracelet, while the\u00a0hand-polishing<\/strong>, entirely executed manually, requires extremely precise control to enhance brilliance without wearing down the relief. The watch is powered by a\u00a0quartz movement<\/strong>, in line with a design approach oriented towards purity of form.<\/p>\n\n\n

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\"CARTIER<\/a><\/figure>\n<\/div>\n\n\n

The compact case is paired with a\u00a0rigid yellow gold bracelet<\/strong>\u00a0that extends and enhances the Clou de Paris motif across its entire surface, transforming decoration into a continuous structural element. The\u00a0beaded crown<\/strong>, also in yellow gold, is set with a\u00a0sapphire cabochon<\/strong>, in line with the Maison\u2019s aesthetic codes. In the\u00a0diamond-set version<\/strong>, the\u00a0snow setting<\/strong>\u00a0on the dial, composed of\u00a0100 brilliant-cut diamonds<\/strong>, is combined with an inverted pavilion setting on the case, extending to the bracelet, where diamonds of varying sizes are arranged to construct volumes and reflections, according to a logic that combines technical precision and aesthetic outcome.<\/p>\n\n\n\n

Models with rigid yellow gold bracelet (Refs. WGBA0070, WGBA0071 and WGBA0072<\/strong>) are priced at \u20ac 23,200<\/strong>, while fully set versions (Refs. WJBA0067 and WJBA0068<\/strong>) reach\u00a0\u20ac 65,500<\/strong>.<\/p>\n\n\n\n

THE WATCHMAKING ART OF MYST DE CARTIER<\/strong><\/strong><\/h2>\n\n\n\n

The\u00a0Myst de Cartier<\/strong>\u00a0belongs to one of the most fascinating strands in Cartier\u2019s history: creations in which time seems to elude the eye even before revealing itself. As early as the beginning of the twentieth century, with the famous\u00a0mystery clocks<\/strong>\u00a0developed by the Maison in collaboration with watchmaker\u00a0Maurice Cou\u00ebt, Cartier introduced an idea of watchmaking in which the movement disappears \u2014 or rather becomes invisible \u2014 through technical solutions that create the illusion of hands suspended in space. In the 1930s, under the creative direction of\u00a0Jeanne Toussaint, this principle extended to jewellery watches<\/strong>. Within this continuity, the Myst stands as a contemporary reinterpretation of this approach, where time display does not impose itself, but is discovered within an elegant composition.<\/p>\n\n\n

\n
\"MYST<\/a><\/figure>\n<\/div>\n\n\n

The version presented in 2026 is based on a precise balance between\u00a0lines<\/strong>,\u00a0materials<\/strong>\u00a0and\u00a0techniques<\/strong>. The contrast between the curves of the\u00a0domed crystal<\/strong>\u00a0and the sinuous lines of the structure interacts with the geometry of the\u00a0pav\u00e9 dial<\/strong>, framed by\u00a0onyx<\/strong>\u00a0and defined by a\u00a0triangular index<\/strong>. Graphic elements are arranged according to a principle of symmetry, emphasised by touches of\u00a0black lacquer<\/strong>\u00a0manually applied by the artisans of the Maison des M\u00e9tiers d\u2019Art. The case is made in\u00a0white gold<\/strong>\u00a0or\u00a0black-lacquered yellow gold<\/strong>\u00a0and is entirely crafted to house a pav\u00e9 diamond dial, with\u00a045 or 47 stones<\/strong>\u00a0respectively, integrated with\u00a0onyx elements<\/strong>. The absence of the crown, replaced by a setting system activated via a discreet push-button on the caseback, contributes to maintaining the purity of the lines and reinforcing the visual effect of suspension.<\/p>\n\n\n

\n
\"MYST<\/a><\/figure>\n<\/div>\n\n\n

The watch is powered by a\u00a0quartz movement<\/strong>, a choice that allows for a more essential case construction and uninterrupted formal continuity. The\u00a0elastic bracelet<\/strong>, without clasp, is composed of a succession of lacquered and pav\u00e9 elements and integrates hundreds of\u00a0brilliant-cut diamonds<\/strong>, selected and set according to a calibrated arrangement to create effects of volume and visual continuity: up to\u00a0998 diamonds<\/strong>\u00a0in the white gold version and over\u00a0600 diamonds<\/strong>\u00a0in the yellow gold version with black lacquer. The\u00a0four-prong setting<\/strong>, executed over\u00a0112 hours of work<\/strong>, uses stones of different sizes to create perspective and volume effects, resulting in a three-dimensional architecture in which watchmaking and jewellery merge inseparably.<\/p>\n\n\n\n

The\u00a0Myst de Cartier<\/strong>\u00a0is priced at\u00a0\u20ac 190,000<\/strong>\u00a0for the white gold version and\u00a0\u20ac 159,000<\/strong>\u00a0for the yellow gold version with black lacquer.<\/p>\n\n\n\n

THE BALANCE POINT<\/strong><\/strong><\/h2>\n\n\n\n

Rather than introducing new forms, for this Watches and Wonders 2026 Cartier has chosen to work by subtraction, intervening with precision on what already exists, refining\u00a0proportions<\/strong>,\u00a0surfaces<\/strong>\u00a0and constructions<\/strong>\u00a0until they become essential. In an increasingly complexity- and performance-driven context, the Maison chooses a different path\u2014one that expresses a deeply contemporary elegance. And it is precisely in this ability to subtract, rather than to add, that Cartier continues to define its own language.<\/p>\n\n\n\n

By Elisa Copeta<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Cartier at Watches and Wonders 2026: Santos-Dumont, Crash, Roadster, Baignoire and Myst watches between high watchmaking and iconic proportions.<\/p>\n","protected":false},"author":1926,"featured_media":29092,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,9],"tags":[452,925,961],"class_list":["post-29090","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-timepieces","tag-cartier","tag-time-only","tag-ww26"],"yoast_head":"\nCartier 2026: tutte le novit\u00e0 tra Santos, Crash e Roadster<\/title>\n<meta name=\"description\" content=\"Cartier at Watches and Wonders 2026: Santos-Dumont, Crash, Roadster, Baignoire and Myst watches between high watchmaking and iconic proportions.\" \/>\n<meta name=\"robots\" content=\"index,follow\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.watchinsanity.it\/en\/cartier-2026-santos-crash-roadster\/\" 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