{"id":22615,"date":"2024-03-29T18:57:50","date_gmt":"2024-03-29T17:57:50","guid":{"rendered":"https:\/\/www.watchinsanity.it\/?p=22615"},"modified":"2026-02-26T10:21:19","modified_gmt":"2026-02-26T09:21:19","slug":"hublot-classic-fusion-tourbillon-orlinski","status":"publish","type":"post","link":"https:\/\/www.watchinsanity.it\/en\/hublot-classic-fusion-tourbillon-orlinski\/","title":{"rendered":"Hublot Classic Fusion Tourbillon Orlinski: mechanics and colour"},"content":{"rendered":"\n

For years now, Hublot <\/strong>and Richard Orlinski <\/strong>havebeen building an artistic and mechanical alchemy that is unequalled in the watchmaking world. What drives the French sculptor to create his own extraordinary pieces together with the Nyon-based manufacturer is made clear in this interview<\/strong><\/a> he gave last year to Watches and Wonders. In 2023, Hublot brought the Classic Fusion Chronograph Orlinski Titanium to the Geneva show, while this year the brand demonstrated to be ahead of its time and presented the Classic Fusion Tourbillon Orlinski <\/strong>at the LVMH Watch Week. The latest product of a collaboration that began eight years ago.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

THE PARTNERSHIP BETWEEN HUBLOT AND RICHARD ORLINSKI<\/strong><\/h3>\n\n\n\n

It was back in the SIHH days, and at that time Hublot presented its novelties at Baselworld. However, the brand used to take advantage of the Geneva show in January to unveil some novelties to insiders, on the shores of Lake Geneva, as it does now with the in-house event organised by LVMH. In 2018, the artist and Hublot welcomed guests to one of Geneva’s grandest hotels to present the Classic Fusion Aerofusion Chronograph Orlinski<\/strong>. A watch that, according to the brand, was “the first work of art to display time”. Two limited editions of 200 pieces, in titanium or blue ceramic, sold out in a flash.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

Since then, Richard Orlinski has put his artistic genius at the service of different materials. Ceramic and titanium, indeed, but also sapphire and King Gold have passed through the sculptor’s creative irreverence. From a complication point of view, the watches created by Orlinski <\/strong>have relatively put Hublot’s technical ability to the test so far. Time-only and chronographs are in fact the types of watches on which the Swiss brand has brought its focus. In short, muscular forms, sculptural details, but a mechanical heart that is, all things considered, not complex.<\/p>\n\n\n\n

THE HUB6021 CALIBRE<\/strong><\/h3>\n\n\n\n

Now, however, it’s getting serious. Because this time the genius of Orlinski meets the genius of… Breguet. As in Abraham-Louis, the man who patented the tourbillon <\/strong>in 1801. With the Classic Fusion Tourbillon Orlinski<\/strong>, Hublot takes a quantum leap forward with the collection created with the artist, introducing what for many is the queen of complications \u2013 on a par with the minute repeater, perpetual calendar, and other mechanical marvels.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

These naturally include the HUB6021 hand-wound movement<\/strong>, whichis at the heart of the watch. This is a calibre that fits unquestionably into the tradition of manual movements made by Hublot, which the brand reserves for some of its most prestigious references. A true manufactory-made movement that is enhanced by the presence of the one-minute flying tourbillon.<\/p>\n\n\n\n

\n
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\"Hublot<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"Hublot<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

In our opinion, there are two features that make this calibre exceptional. The first is perhaps the most obvious: aesthetics. Its extreme skeletonisation <\/strong>makes it almost intangible to the eye, as if it were made of lace or embroidery. The other is functional and is tied to the exceptional power reserve, which gets to 105 hours<\/strong> \u2013 a result achieved mainly by lowering the oscillation frequency of the calibre to 21,600 vibrations per hour (3 Hz). This high level of autonomy puts it almost on a par with the brand’s other hand-wound tourbillon time-only movements, such as the HUB6016 (115 hours) or the HUB6010 (120 hours), which work at 28,800 vibrations per hour.<\/p>\n\n\n\n

THE CLASSIC FUSION TOURBILLON ORLINSKI CASE<\/strong><\/h3>\n\n\n\n

And then, there is the case<\/strong>. Because, if Hublot’s technical prowess is expressed in the calibre, it is in the case\u2019s shapes that Richard Orlinski’s creativity explodes. The Classic Fusion Tourbillon Orlinski also stands out for the faceted, sculptural shapes of its generously sized 45 mm ceramic case. Edges and diagonals create a multifaceted surface <\/strong>on which light works with the artist to give the watch an ever-changing and shimmering look. The dodecagonal bezel fixed with the classic six H-head screws crowns the sapphire crystal and completes a more-than-recognisable aesthetic amalgam.<\/p>\n\n\n\n

\n
\n
\"Hublot<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"Hublot<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

All this spiced up with two opposite but terribly casual colours, bright yellow <\/strong>or sky blue<\/strong>. Of the two, we were struck by the yellow: pure life distributed on every level of the watch. Radiant and sunny, yellow pervades all components, from the case to the strap, passing through the bezel and ending on the hands and indices. The latter parts stand out even more against the matt black bridges and chapter ring. <\/p>\n\n\n\n

\n
\n
\"Hublot<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"Hublot<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

The dial <\/strong>simply does not exist. Replaced by skeletonisation, its two focal points are the tourbillon at 6 o’clock and the power reserve indicator positioned between 8 and 9 o’clock. Sapphire crystal on the front, sapphire crystal on the back: the light pierces the movement, buoyant inside the case. <\/p>\n\n\n\n

\n
\n
\"Hublot<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"Hublot<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Speaking of details: on the yellow version of the Classic Fusion Tourbillon Orlinski<\/strong>, theblack bridges match the titanium screws on the bezel coated in the same colour. On the blue one, the screws and bridges are matching titanium, uncoated. Black returns on the ceramic buckle of the yellow reference, titanium on the buckle of the blue reference.<\/p>\n\n\n\n

THE REASON FOR SUCCESS<\/strong><\/h3>\n\n\n\n

Ricardo Guadalupe<\/strong>, CEO of Hublot, said that “the models born from this collaboration which started in 2017 immediately sell like hot cakes and are coveted\u00a0by\u00a0watch collectors and art collectors alike<\/em>.\u201d Even at considerable prices, because in the case of the Classic Fusion Tourbillon Orlinski we are talking about 103,000 euros and a limited edition: 30 pieces of each colour<\/strong>.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

But no wonder, for it is\u00a0Orlinski\u00a0<\/strong>himself who explains the reason for the success of his collaboration with Hublot: \u201cWith full freedom granted to me, I have taken the Classic Fusion to the limits of its potential. Smooth but dynamic, like the contours of its ceramic case, it expresses a kind of animality: that ‘Born Wild’ spirit that has always pervaded my work<\/em>“. Prompted by words like these, we are certain that collectors are already waiting for the next limited editions.<\/p>\n\n\n\n

By Davide Passoni<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

The new chapter in the collaboration between French sculptor Richard Orlinski and Hublot brings, for the first time, the tourbillon inside a watch created by the artist. A facetted ceramic case in shades of yellow or blue, a hand-wound manufacture movement with tourbillon and unparalleled luminosity make these two references, limited to 30 pieces per colour, incredible.<\/p>\n","protected":false},"author":722,"featured_media":22616,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,9,628],"tags":[132,42],"class_list":["post-22615","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hands-on","category-timepieces","category-weekly-snippets","tag-hublot","tag-tourbillon"],"yoast_head":"\nHublot: Classic Fusion Tourbillon Orlinski | WATCH INSANITY<\/title>\n<meta name=\"description\" content=\"The new chapter in the collab between Orlinski and Hublot brings, for the first time, the tourbillon inside a watch created by the artist.\" \/>\n<meta name=\"robots\" content=\"index,follow\" \/>\n<link rel=\"canonical\" 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Passoni","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.watchinsanity.it\/wp-content\/uploads\/2026\/02\/Davide_Passoni_Watch_Insanity-1-96x96.jpg","url":"https:\/\/www.watchinsanity.it\/wp-content\/uploads\/2026\/02\/Davide_Passoni_Watch_Insanity-1-96x96.jpg","contentUrl":"https:\/\/www.watchinsanity.it\/wp-content\/uploads\/2026\/02\/Davide_Passoni_Watch_Insanity-1-96x96.jpg","caption":"Davide Passoni"},"description":"\u00abMobile ordigno di dentate rote \/ lacera il giorno e lo divide in ore\u00bb. Comincia cos\u00ec il sonetto Orologio da rote, scritto nel XVII secolo da un poeta friulano, Ciro di Pers, oggetto della mia tesi di laurea. Il tema della tesi era diverso, ma avevo conosciuto quel poeta proprio leggendo questo testo, perch\u00e9 gli orologi li ho sempre avuti dentro. E al polso. Il primo \u00e8 stato un Timex digitale (erano gli anni \u201970\u2026), in quarta elementare, e da allora non ho pi\u00f9 smesso. Di comprarli, di scambiarli, di venderli, di amarli, di studiarli. E poich\u00e9 l\u2019aspirazione di tanti \u00e8 trasformare la propria passione in lavoro, nella mia lunga vita professionale, alla fine, a scrivere di orologeria ci sono arrivato: prima alla guida di un trimestrale, poi firmando pezzi per testate nazionali e per i pi\u00f9 autorevoli magazine online italiani. Uno di questi \u00e8 \u201cinsano\u201d: riuscite a indovinare qual \u00e8?","url":"https:\/\/www.watchinsanity.it\/en\/author\/dave\/"}]}},"_links":{"self":[{"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/posts\/22615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/users\/722"}],"replies":[{"embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/comments?post=22615"}],"version-history":[{"count":11,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/posts\/22615\/revisions"}],"predecessor-version":[{"id":22677,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/posts\/22615\/revisions\/22677"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/media\/22616"}],"wp:attachment":[{"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/media?parent=22615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/categories?post=22615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/tags?post=22615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}