{"id":20616,"date":"2023-05-23T14:38:28","date_gmt":"2023-05-23T12:38:28","guid":{"rendered":"https:\/\/www.watchinsanity.it\/?p=20616"},"modified":"2026-02-26T10:20:44","modified_gmt":"2026-02-26T09:20:44","slug":"hublot-spirit-of-big-bang-sang-bleu-3","status":"publish","type":"post","link":"https:\/\/www.watchinsanity.it\/en\/hublot-spirit-of-big-bang-sang-bleu-3\/","title":{"rendered":"Hublot Spirit of Big Bang Sang Bleu III: Rebel Soul"},"content":{"rendered":"\n

\u2018A tattoo is an eternal work on an evanescent support.\u2019 This famous statement by Pascal Tourain, one of the most tattooed men in the world, says a lot about how artistic\u00a0tattooing\u00a0<\/strong>is. Because it is an actual art, and as such it is also at ease alongside other artistic expressions, such as watchmaking for example.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

Enthusiasts know this. They know the bond that exists between the brand that makes the art of fusion its payoff,\u00a0Hublot<\/strong>, and one of the most famous tattoo artists in the world. We\u2019re talking about\u00a0Sang Bleu<\/strong>, born\u00a0Maxime Plescia-B\u00fcchi<\/strong>, who for 7 years has been putting his mastery at the service of the most refined watchmaking with the new\u00a0Spirit of Big Bang Sang Bleu III<\/strong>.<\/p>\n\n\n\n

IN THE BEGINNING THERE WAS THE BIG BANG SANG BLEU<\/strong><\/h3>\n\n\n\n

No seventh-year crisis, however, for this artistic alliance that began in 2016 with the\u00a0Big Bang Sang Bleu<\/strong>. A watch that stood out for its three-dimensional geometry, thanks to which the artist was able to create a perfectly proportional structure inspired by Leonardo da Vinci’s Vitruvian Man. A unique motif, designed by the subtle play and overlapping of rings and squares, which evoked the squaring of the circle and indicated time in a bold and unusual way.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

The round bezel in a hexagon shape created facets that gave the Big Bang Sang Bleu a three-dimensional effect. The matt black dial had a large circular satin-finish black rehaut with printed hour markers, indicated by the superimposition of three octagonal rhodium-plated discs. The bigger one indicated the hours, the smaller one the minutes.<\/p>\n\n\n\n

To make reading time easier, the tips of the hour and minute octagons that served as \u2018hands\u2019 were in white Super-LumiNova. The seconds in the center flowed on a black disc bearing the H for Hublot and the stylized hourglass, symbol of Sang Bleu. Only 200 pieces were created, with a titanium case.<\/p>\n\n\n\n

THE HUBLOT AND SANG BLEU SAGA: CHAPTER TWO<\/strong><\/h3>\n\n\n\n

Three years later, in 2019, Hublot created the\u00a0Big Bang Sang Bleu II<\/strong>, in which the collaboration between the artist and the brand gave life to a watch crafted as if it were a body adorned with a full-body tattoo. Indeed, the whole Big Bang was covered in it, from the case and hexagonal bezel to the sapphire crystal, hands and bracelet.<\/p>\n\n\n\n

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\"\"<\/a><\/figure>\n<\/div>\n\n\n\n
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\"\"<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

A\u00a0chronograph<\/strong>\u00a0in which the bezel traded its usual round shape for a hexagonal profile, with the classic 6 H-shaped titanium screws. The metal part that extended from the case to the rubber strap (geometrically sculpted) also featured an engraved triangle to perpetuate the geometric shapes repetition.<\/p>\n\n\n\n

The complex and multifaceted surfaces of the case exalted its geometry, alternating polished and satin finishes. A black rubber-coated crown and rectangular chronograph pushers completed the case, waterproof up to 100 m. 100 pieces were made in King Gold and 200 in titanium.<\/p>\n\n\n\n

THE NEW WATCH: THE CASE<\/strong><\/h3>\n\n\n\n

Now, in 2023, Maxime Plescia-B\u00fcchi has returned to dressing Hublot with his art and has chosen a new \u2018canvas\u2019 on which to paint: no longer the Big Bang but the Spirit of Big Bang, which becomes\u00a0Spirit of Big Bang Sang Bleu III<\/strong>. And we think that the Swiss tattoo guru surpassed himself with the tonneau case of the watch, a challenge for Sang Bleu creations which we want to share with you thanks to our exclusive shooting.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

Starting from the case, which is available in three materials. Hublot went on a crescendo: for the first Sang Bleu only\u00a0titanium<\/strong>, for the second, titanium and\u00a0King Gold<\/strong>. And now\u00a0All Black ceramic\u00a0<\/strong>is the latest addition to these two metals. This is the variation: 200 pieces for ceramic and titanium, 100 for King Gold. In addition to two references, one in titanium and one in King Gold, set with 180 diamonds.<\/p>\n\n\n\n

The case design is less muscular than that of the Sang Bleu II but it is still strongly three-dimensional, thanks to its facets. Maxime Plescia-B\u00fcchi\u2019s creativity unfolds along them, with the motifs of his art emerging from the dial, up to the bezel, the lugs and the case side.<\/p>\n\n\n\n

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\"Hublot<\/a><\/figure>\n<\/div>\n\n\n\n
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\"Hublot<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

As if hexagons, diamonds and triangles explode from the dial and overlap to create new shapes and volumes throughout the watch, which becomes almost rhomboid. All by translating the lines dear to Plescia-B\u00fcchi onto a different volume \u2013 namely the Spirit of Big Bang\u2019s\u00a0tonneau shape<\/strong>\u00a0\u2013 to offer a new point of view to look at Hublot’s creation. The alternation of polished and satin-finished surfaces on the case and the bezel further animates the timepiece.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

Hublot and Maxime Plescia-B\u00fcchi have paid particular attention to the\u00a0ergonomics<\/strong>\u00a0of the watch. Despite the generous proportions of the 42 mm case and its sculptural shape, the Spirit of Big Bang Sang Bleu III is wearable and comfortable on both men\u2019s and women\u2019s wrists. The case back and sapphire crystal have been shaped for a good fit of the watch on the wrist.<\/p>\n\n\n\n

THE DIAL OF THE SPIRIT OF BIG BANG SANG BLEU III<\/strong><\/h3>\n\n\n\n

The sapphire\u00a0skeleton dial<\/strong>\u00a0is a peculiarity of the Sang Bleu style that we have come to know with previous references. The center holds Maxime Plescia-B\u00fcchi\u2019s typical skeleton structure, built on mobile rhomboids indicating time. The larger arrowhead hand with Super-LumiNova rotates around the dial to mark the hours, positioned on a 10-sided black track. This track is broken by the date between 4 and 5 o’clock.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

The central chronograph seconds hand (yes, the Spirit of Big Bang Sang Bleu III is a\u00a0chronograph<\/strong>) has a luminescent arrowhead and extends across the whole diameter of the dial, pointing to a track printed on a dodecagonal sapphire crystal. Depending on the angle, this track can appear duplicated, thanks to the particular workmanship chosen by Hublot and the tattoo artist for the sapphire crystal protecting the dial.<\/p>\n\n\n\n

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\"Hublot<\/a><\/figure>\n<\/div>\n\n\n\n
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\"Hublot<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Very sculptural, it seems to be composed by four separate arched squares, with 10 bevels that lower suddenly to join the 10-sided bezel. With so many angles, the\u00a0sapphire crystal<\/strong>\u00a0produces greater volume and optical distortions which lead to the duplicating effects mentioned above, always renewing the visual experience for the wearer of the watch.<\/p>\n\n\n\n

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\"Hublot<\/a><\/figure>\n<\/div>\n\n\n\n
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\"Hublot<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Two black counters suspended above the movement display the seconds at 9 o’clock and the chronograph minutes at 3. Both counters, of course, have diamond-shaped indicators that harmonize the entire dial\u2019s aesthetics. Aesthetics that, at times, affect the legibility of the information \u2013 as happens with the previous Sang Bleu references for Hublot. But so be it. First art, then comfort.<\/p>\n\n\n\n

HUBLOT’S MECHANICAL WORK<\/strong><\/h3>\n\n\n\n

Speaking of art and design, the caliber powering the Spirit of Big Bang Sang Bleu III is also a mechanical masterpiece in its own way. It is the\u00a0HUB4700<\/strong>\u00a0skeletonized automatic chronograph movement, developed on a\u00a0Zenith El Primero 400<\/strong>\u00a0base. This means 36,000 vibrations\/hour (and very high precision), 50 hours of power reserve and a robust chronograph movement with column wheel. A movement which, given the precision, reliability and ease of use that enthusiasts know, equips a large part of the Spirit of Big Bang line.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

And, still speaking of art and design, Hublot has chosen the most important design event in the world to present its latest collection in collaboration with Sang Bleu:\u00a0the Milan Furniture Fair<\/strong>. The Italian city was the setting for the launch of this partnership during a special night, in which the watch was presented by Maxime Plescia-B\u00fcchi and Hublot CEO Ricardo Guadalupe.<\/p>\n\n\n\n

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\"Hublot<\/a><\/figure>\n<\/div>\n\n\n\n
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\"Hublot<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

Thus, the \u2018evanescent support\u2019 evoked by Tourain was transformed into a timepiece and the \u2018eternal piece\u2019 became even more eternal because it undertook its greatest challenge: measuring time, thus challenging its transience.<\/p>\n\n\n\n

By Davide Passoni<\/strong><\/p>\n\n\n\n

\n
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\"Hublot<\/a><\/figure>\n<\/div>\n\n\n\n
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\"Hublot<\/a><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Il terzo capitolo della collaborazione tra Hublot e Maxime Plescia-B\u00fcchi \u00e8 lo Spirit of Big Bang Sang Bleu III, nel quale l\u2019arte del guru dei tattoo veste la classica cassa tonneau dell\u2019orologio e ne esalta la tridimensionalit\u00e0. In edizione limitata in titanio, King Gold o ceramica.<\/p>\n","protected":false},"author":722,"featured_media":20619,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,9,628],"tags":[512,132],"class_list":["post-20616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hands-on","category-timepieces","category-weekly-snippets","tag-chronograph","tag-hublot"],"yoast_head":"\nHublot: Spirit of Big Bang Sang Bleu III<\/title>\n<meta name=\"description\" content=\"Il cronografo Spirit of Big Bang Sang Bleu III \u00e8 la nuova creazione di Hublot col tatuatore Maxime Plescia-B\u00fcchi.\" \/>\n<meta name=\"robots\" content=\"index,follow\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.watchinsanity.it\/en\/hublot-spirit-of-big-bang-sang-bleu-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:locale:alternate\" content=\"it_IT\" 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Sang Bleu III: Anima Ribelle"}]},{"@type":"WebSite","@id":"https:\/\/www.watchinsanity.it\/#website","url":"https:\/\/www.watchinsanity.it\/","name":"WATCH INSANITY","description":"The leading Italian watch magazine","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.watchinsanity.it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.watchinsanity.it\/#\/schema\/person\/3d908c8853f8765bda3ef2fb6df451bd","name":"Davide Passoni","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.watchinsanity.it\/wp-content\/uploads\/2026\/02\/Davide_Passoni_Watch_Insanity-1-96x96.jpg","url":"https:\/\/www.watchinsanity.it\/wp-content\/uploads\/2026\/02\/Davide_Passoni_Watch_Insanity-1-96x96.jpg","contentUrl":"https:\/\/www.watchinsanity.it\/wp-content\/uploads\/2026\/02\/Davide_Passoni_Watch_Insanity-1-96x96.jpg","caption":"Davide Passoni"},"description":"\u00abMobile ordigno di dentate rote \/ lacera il giorno e lo divide in ore\u00bb. Comincia cos\u00ec il sonetto Orologio da rote, scritto nel XVII secolo da un poeta friulano, Ciro di Pers, oggetto della mia tesi di laurea. Il tema della tesi era diverso, ma avevo conosciuto quel poeta proprio leggendo questo testo, perch\u00e9 gli orologi li ho sempre avuti dentro. E al polso. Il primo \u00e8 stato un Timex digitale (erano gli anni \u201970\u2026), in quarta elementare, e da allora non ho pi\u00f9 smesso. Di comprarli, di scambiarli, di venderli, di amarli, di studiarli. E poich\u00e9 l\u2019aspirazione di tanti \u00e8 trasformare la propria passione in lavoro, nella mia lunga vita professionale, alla fine, a scrivere di orologeria ci sono arrivato: prima alla guida di un trimestrale, poi firmando pezzi per testate nazionali e per i pi\u00f9 autorevoli magazine online italiani. Uno di questi \u00e8 \u201cinsano\u201d: riuscite a indovinare qual \u00e8?","url":"https:\/\/www.watchinsanity.it\/en\/author\/dave\/"}]}},"_links":{"self":[{"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/posts\/20616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/users\/722"}],"replies":[{"embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/comments?post=20616"}],"version-history":[{"count":8,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/posts\/20616\/revisions"}],"predecessor-version":[{"id":20668,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/posts\/20616\/revisions\/20668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/media\/20619"}],"wp:attachment":[{"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/media?parent=20616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/categories?post=20616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/tags?post=20616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}