{"id":19301,"date":"2022-12-13T11:06:50","date_gmt":"2022-12-13T10:06:50","guid":{"rendered":"https:\/\/www.watchinsanity.it\/?p=19301"},"modified":"2026-02-26T10:19:22","modified_gmt":"2026-02-26T09:19:22","slug":"hublot-big-bang-tourbillon-samuel-ross","status":"publish","type":"post","link":"https:\/\/www.watchinsanity.it\/en\/hublot-big-bang-tourbillon-samuel-ross\/","title":{"rendered":"Hublot Big Bang Tourbillon Samuel Ross: The Power Of Lightness"},"content":{"rendered":"\n

To define the relationship that connects Hublot and world-renowned artist and designer Samuel Ross, its brand ambassador, we could refer to none other than Goethe and speak of \u201celective affinities.\u201d Because the first watch designed by the British artist for Hublot, the\u00a0Big Bang Tourbillon Samuel Ross<\/strong>, was born from a collaboration coming from a shared feeling for art, design and mechanics.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

A feeling that led to the encounter between the brand from Nyon and the artist from London in 2019, when Ross was awarded the prestigious Hublot Design Prize<\/strong>, confered every year by the brand to the most talented designers and visual artists who stand out in the art world market. A year later, Ross was named ambassador and then he presented REFORM, a sculpture representing 40 years of Hublot and its “Art of Fusion.” The work combined an ancient and natural material, granite, with a modern and artificial one, steel.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

A work that is the natural consequence of the “Hublot Loves Art” initiative, launched by the brand over ten years ago. Since then, Hublot has collaborated with some of the most brilliant artists and designers of an entire generation. Each of them has contributed to the creation of innovative watches, highly coveted by collectors. The last of these artists to have taken up the \u201cHublot Loves Art\u201d baton is Samuel Ross.<\/p>\n\n\n\n

THE HEXAGON AS THE BIG BANG SIGNATURE<\/strong><\/h4>\n\n\n\n

His aesthetic codes could only merge, sooner or later, into a Hublot collection. It happened quickly, and it happened with the brand’s most emblematic line, the Big Bang collection. The\u00a0Big Bang Tourbillon Samuel Ross<\/strong>\u00a0fully reflects the English artist\u2019s vision of design, applied to the stylistic features of Hublot. Starting from a symbol: the hexagon.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

This regular polygon is the archetype of the shape from which the Big Bang case was born, and which Samuel Ross multiplies infinitely on the watch, in an almost hypnotic way.\u00a0Starting precisely from the case shape, the hexagon seems to almost explode, replicate itself and settle throughout the timepiece: from the dial to the case back, from the case to the strap<\/strong>. Thanks to a titanium honeycomb mesh whose visual trace is all-encompassing and eye-catching, inspiring two simultaneous sensations.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

The first is that of an incredible stylistic coherence, of a DNA that is a unique and unmistakable trace of the Big Bang Tourbillon Samuel Ross. The second is that of an extreme lightness conveyed by the honeycomb weave, which almost looks like lace, and by the use of titanium. After all, in an interview with a Singaporean newspaper, the artist said that the aspect of the watch design he prefers is \u201cits lack of weight<\/em>.\u201d<\/p>\n\n\n\n

HUBLOT\u2019S TITANIUM MASTERY<\/strong><\/h4>\n\n\n\n

Titanium has often a deep gray tone, which gives a watch a \u201ccold\u201d look. In the Big Bang Tourbillon Samuel Ross, on the other hand, the monochromatic effect is drastically toned down by the various finishes applied to a true titanium exoskeleton.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

Linear satin brushing and highly polished surfaces are found on the bezel, case back and buckle, while a matte sandblasted finish is featured on the openworked honeycomb patterned frame.\u00a0The case, 44 mm in diameter and 13.75 thick, is waterproof up to 3 bar and is in brushed and polished titanium<\/strong>.<\/p>\n\n\n\n

\n
\n
\"Hublot<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"Hublot<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

The vibrant orange of the rubber strap, tourbillon bridge and crown balances the gray of the titanium, making this piece stand out among the many colorful watches in Hublot’s catalog.\u00a0Ross chose orange, because in the color theory it represents energy and optimism<\/strong>.<\/p>\n\n\n\n

A VERTICAL CHALLENGE<\/strong><\/h4>\n\n\n\n

The overall shape of the watch is \u2013 intentionally \u2013 quite long, because Ross considers it to be a wearable sculpture<\/strong>. The artist reflects on the Big Bang Tourbillon Samuel Ross\u2019 shape, compared to that of other sports pieces from Hublot whose \u201ctypical watch has a slightly more balanced, stable and rectangular shape, while this one has a much more vertical nature<\/em>,\u201d he says.<\/p>\n\n\n

\n
\"Hublot<\/a><\/figure>\n<\/div>\n\n\n

And here the “lug-to-lug” length \u2013 which many enthusiasts often refer to when talking about wearability \u2013 comes into play. The Samuel Ross Big Bang Tourbillon is quite long, but it seems without lugs: the point where the strap meets the case makes the watch seem very long but, instead, it softly wraps around the wrist almost like a bracelet.\u00a0Ross didn\u2019t forget to make the watch resistant and ergonomic, even though it was not designed to be small…<\/strong><\/p>\n\n\n\n

THE BIG BANG TOURBILLON SAMUEL ROSS\u2019 CALIBER<\/strong><\/h4>\n\n\n\n

The London designer’s work is even more incredible because\u00a0he had to build the entire watch around an existing movement\u00a0<\/strong>not specifically created for the Big Bang Tourbillon Samuel Ross. This is the tried and tested\u00a0in-house automatic caliber HUB6035<\/strong>, housed in watches such as the Big Bang Integral Tourbillon Full Sapphire<\/a> or the Big Bang Tourbillon Automatic Carbon.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

Perfectly illustrating Hublot’s watchmaking savoir-faire, this movement designed and produced inside the Manufacture is distinguished by its\u00a0automatic winding system with ball bearings, which offers a convenient 3-day power reserve<\/strong>.<\/p>\n\n\n\n

\n
\n
\"Hublot<\/a><\/figure>\n<\/div>\n\n\n\n
\n
\"Hublot<\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n

The design of the caliber is equally innovative and features\u00a0a micro-rotor on the dial side, as well as three sapphire bridges<\/strong>. The unique and highly technical layout emphasizes the spectacular aesthetics of the tourbillon and its contemporary design.<\/p>\n\n\n\n

\"Hublot<\/a><\/figure>\n\n\n\n

Luckily, Samuel Ross and Hublot do have one point in which they differ. The first is an artist, therefore used to working on unique pieces and not on mass-produced creations; the brand is a company, whose primary mission is to sell watches. Thus,\u00a0the Big Bang Tourbillon Samuel Ross is not a unique piece but a limited edition of 50, each with a price of 115,000 euros<\/strong>. Excellence is for a few, and fortunately not for one person only. A matter of elective affinities.<\/p>\n\n\n\n

By Davide Passoni<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019artista e designer ambassador di Hublot plasma un orologio \u201csenza peso\u201d in cui il titanio diventa lo strumento che crea un\u2019opera d\u2019arte da indossare.<\/p>\n","protected":false},"author":722,"featured_media":19302,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,9,628],"tags":[132,42],"class_list":["post-19301","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hands-on","category-timepieces","category-weekly-snippets","tag-hublot","tag-tourbillon"],"yoast_head":"\nHublot: Big Bang Tourbillon Samuel Ross | Watch Insanity<\/title>\n<meta name=\"description\" content=\"Samuel Ross plasma per Hublot un orologio \u201csenza peso\u201d in cui il titanio diventa lo strumento che crea un\u2019opera d\u2019arte da indossare.\" \/>\n<meta name=\"robots\" content=\"index,follow\" \/>\n<link rel=\"canonical\" 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Passoni","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.watchinsanity.it\/wp-content\/uploads\/2026\/02\/Davide_Passoni_Watch_Insanity-1-96x96.jpg","url":"https:\/\/www.watchinsanity.it\/wp-content\/uploads\/2026\/02\/Davide_Passoni_Watch_Insanity-1-96x96.jpg","contentUrl":"https:\/\/www.watchinsanity.it\/wp-content\/uploads\/2026\/02\/Davide_Passoni_Watch_Insanity-1-96x96.jpg","caption":"Davide Passoni"},"description":"\u00abMobile ordigno di dentate rote \/ lacera il giorno e lo divide in ore\u00bb. Comincia cos\u00ec il sonetto Orologio da rote, scritto nel XVII secolo da un poeta friulano, Ciro di Pers, oggetto della mia tesi di laurea. Il tema della tesi era diverso, ma avevo conosciuto quel poeta proprio leggendo questo testo, perch\u00e9 gli orologi li ho sempre avuti dentro. E al polso. Il primo \u00e8 stato un Timex digitale (erano gli anni \u201970\u2026), in quarta elementare, e da allora non ho pi\u00f9 smesso. Di comprarli, di scambiarli, di venderli, di amarli, di studiarli. E poich\u00e9 l\u2019aspirazione di tanti \u00e8 trasformare la propria passione in lavoro, nella mia lunga vita professionale, alla fine, a scrivere di orologeria ci sono arrivato: prima alla guida di un trimestrale, poi firmando pezzi per testate nazionali e per i pi\u00f9 autorevoli magazine online italiani. Uno di questi \u00e8 \u201cinsano\u201d: riuscite a indovinare qual \u00e8?","url":"https:\/\/www.watchinsanity.it\/en\/author\/dave\/"}]}},"_links":{"self":[{"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/posts\/19301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/users\/722"}],"replies":[{"embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/comments?post=19301"}],"version-history":[{"count":4,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/posts\/19301\/revisions"}],"predecessor-version":[{"id":19317,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/posts\/19301\/revisions\/19317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/media\/19302"}],"wp:attachment":[{"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/media?parent=19301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/categories?post=19301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.watchinsanity.it\/en\/wp-json\/wp\/v2\/tags?post=19301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}